Showing posts with label encaustic paintings. Show all posts
Showing posts with label encaustic paintings. Show all posts

Friday, May 1, 2009

New Encaustics By Margo Mullen

Margo Mullen has brought in 11 new encaustic paintings to show at the KMFA Gallery during the month of May. These both are very popular series and well priced for the new collector. There are also a variety of sizes to fit small and medium spaces. Several are diptychs but can also be purchased separately.

Come in to the gallery and see more!

And we will have them on the gallery website as soon as we photograph and document all the new work. Work can be purchased directly from the website.



From Margo Mullen's Growing Almond series.



From Margo Mullen's Asilomar series.

Monday, April 6, 2009

April 2009 "New Works" Exhibit

The April exhibit at the Gallery features the new works of two artists - oil and acrylic paintings of Elizabeth Stahl and encaustic beeswax paintings of Margo Mullen.

The artists reception is April 24th, Friday 5-9 pm, which is also the same night as many preview receptions in the Mission district neighborhood for Spring Open Studios (which also is Saturday and Sunday 11-5 pm). There are over 7 artist collective buildings participating in Spring Open Studios, all pretty much within walking distance. We'll post a map that will be available in a separate blog post.

Stop by Friday night at our Gallery, for our April exhibit reception!

Here is a link that previews some samples of the work on display:

Exhibit Preview

Sunday, February 8, 2009

Live Worms Gallery Show February 2009

I just completed participation in a group show at the Live Worms Gallery in North Beach, in San Francisco, CA.

It was interesting to show in North Beach. Many of the locals know each other - it almost had a small town within a city feel to it. And I really liked that so many people really seem to appreciate art and took lots of time looking at each and every piece in the show, and didn't just breeze through.

The reception was Friday night and it was jammed all night. All kinds of interesting and colorful people. The most common comment heard all night was that many locals thought it was the best show there yet. It was a real great reception.

Saturday also was the Chinese New Years parade day (and the gallery was just a block from where streets of booths were and where the parade route was on Grant Street). It stopped raining so we got a lot of foot traffic throughout the day on Saturday.

I showed 10 encaustic pieces. People are still quite unfamiliar with the media so I was doing a lot of educating, which was great. The more people learn about encaustic painting, the more people will become comfortable collecting it.

The photo below is my section of the show and the other photos are some of the other work included in the exhibit.






Thursday, February 28, 2008

Collecting Encaustic Paintings

There has been a recent resurgence of interest in encaustic art. More and more contemporary artists are exploring this fascinating media, doing everything from abstract work to collage and mixed-media to representational paintings and even sculpture. Art collectors are coming to appreciate this form of expression and also are interested in knowing more about it and how to take care of their purchase.

Let's begin with a little background. The word "encaustic" comes from the Greek word "enkaustikos" which means "to burn in", referring to a process of the combining of hot natural wax with colored pigments to simultaneously paint and sculpt a surface and then fuse the layers together. As a technique that can be applied to just about any medium, it has been used to create unique multi-dimensional effects in art since the time of the ancient Greeks, Egyptians and Romans for use in their elaborate burial tombs, which have survived for centuries. Despite its durability, encaustic art lost favor during the Renaissance due to what was thought to be cumbersome requirements, considering tools they had available at that time. Encaustics has enjoyed a resurgence as a result of modern advances in technology and safety (in heating appliances) as well as its use by more contemporary well-known artists such as Jasper Johns and Diego Rivera. The encaustic beeswax medium, with its organic qualities, is not only beautiful because of its inherent and evocative luster and translucency, but it is one of the most durable of all artists' paints, since wax is impervious to moisture.

After completion of an encaustic painting there is a curing process of a few months. During this time moisture will work its way to the surface and cause a slight haze. If your painting looks dull, or gets dirty it can be wiped clean with water and buffed (gently, firmly but not overly vigorously) to a high gloss using a soft lint-free cloth such as cotton. This sheen dulls over time and can be brought back by repeating the process. Again, gentle is the word.

Encaustic paintings do not have to be varnished or protected by glass. The painting is stable under normal temperatures. Indirect sunlight is perfectly fine, however, I would not recommend direct sunlight (actually direct sunlight is inadvisable for any type of painting but even more so for wax-based paintings). Extreme cold can make the wax more brittle and susceptible to cracking. Again, extreme temperatures are bad for any fine art, not just encaustics. Other inadvisable locations within your house would be any spot near heat sources (such as fireplaces, over the stove in the kitchen, etc). Only direct heat or temperatures in excess of 130 degrees may begin to soften the work. Very hot days can soften the surface very slightly, but will cause no real damage to the painting. Do not leave an encaustic painting in trunk of your car on a hot day. Even with these measures, if the wax on your painting does soften, and/or dulling occurs, wait until the painting has hardened (by moving it to a cooler location) and buff it with a soft cloth.

Always protect the surface and edges of the encaustic painting when moving it. Although the surface is completely dry, encaustic paintings can be easily scratched, gouged, or chipped if handled roughly. While most encaustic wax paintings have damar in the wax (a hardening component), it is still primarily wax. Overall, encaustic paintings are extremely durable due to the fact that beeswax is impervious to moisture. Because of this it will not deteriorate and it will not lose its brilliance.

Examples of encaustic paintings have survived from the Greek and Roman empires and are still as vibrant and colorful today as they were when they were painted.

As a collector of encaustic paintings, you will enjoy the depth, the luminousity, and the wonderful creative expressions artists are creating in this media, but you will also have a piece - if the artist properly constructed the layers of wax in the painting, that will long outlast you and your children.

Monday, February 18, 2008

Canyon Calls 2 Encaustic Painting

This is a new encaustic beeswax painting available for sale called "Canyon Calls 2", part of the Canyon Calls series of encaustics. It is 12x12" and painted on a wood cradle support. It has over 30 layers of pigmented wax that have been applied and then carefully scraped back with a razor blade.




You can see more gallery paintings at http://www.kathleenmcmahonfineart.com/artwork/

Wednesday, February 13, 2008

New Encaustic Paintings by Cari Hernandez

Two new works are now available at our gallery, from Cari Hernandez, contemporary encaustic artist: "Oh... luscious" and "Passion Pod" (see images below).

These are part of Cari's "Oh" series which is a lively series that has been described as "visceral". It was developed while on a quest to explore jubilant emotion-creating a sense of movement and spontaneity in form.

The painting is pigmented pharmaceutical-grade beeswax painted on a solid box-like wood support. The encaustic beeswax medium, with its organic qualities, is not only beautiful because of its inherent and evocative luster and translucency, but it is one of the most durable of all artists' paints, since wax is impervious to moisture.

It is sold unframed (its cradle is so deep, it definitely doesn't need framing) and comes wired and ready to hang. The depth of her color layers and luminosity in her wax is just stunning. Instructions for the care of encaustic paintings come with the piece.

Cari is open to considering commission projects based on her work and style.

You can see more paintings at: http://www.kathleenmcmahonfineart.com/artwork/